
but The Rules of Attraction is something different, something special. its playfulness with narrative and perspective is actually rather brilliant. i'm not sure i've read another novel where fully one-third of the narrative was a jerk-off fabrication by one of the characters (one who isn't a psychotic serial killer, that is). perhaps prior to Rules, Ellis somehow exorcised all that repulsive self-pity that inundanted Zero and then replaced it with malevolent wit. and better yet, he puts his usual snarkiness in the mouths of characters who - although soulless - still genuinely face more life challenges than his prior student portraits.
most surprising of all, the nearly-marginal story of the suicide: bitterly ironic, entirely moving, and wonderfully written. and hey, there's even a teensy little light at the end of the tunnel that didn't feel forced. good job, Ellis. i never thought i'd say that phrase!
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